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Biography
Artist's statement
Contact details
13B Alderney Road
London
E1 4EG
Tel +44 (20) 7790 8064
Email kja@p-o.co.uk
Web http://p-o.co.uk/kja/
Copyright information
This is an archive of the Digital Art Museum for historical reference. See dam.org for the current site. |
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Born 1956
1981-83 University of London Goldsmiths College MA (CNAA) Fine Art
1976-79 University of Oxford Ruskin School of Drawing, CFA (Oxford)
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Kerry John Andrews MA (Goldsmith's) is a visiting lecturer in Art and Design at the University of Hertfordshire, UK. He is a practicing fine artist and composer and has exhibited continuously since 1983 in Britain, Europe and the USA.
Kerry is a director of Persistent Objects Ltd and is a co-founder and designer of the Digital Art Museum [DAM]. In 1996 he founded the Forum London Composers Group which promotes and publishes the work of more than 80 member composers and musicians. As part of the Forum initiatives he founded the All Ears Contemporary Music Festival in London in 2004. He has studied musical composition and performs contemporary music throughout England.
As an artist and composer he works through various media, including drawing, digital media, installation, sound and music, to explore ideas about time and the space of language and its relation to the physical world.
Conferences
2004 |
addICT, Keynote speaker on the practice of Digital Art,
NSEAD Conference in ICT in art and design teaching, FACT Centre, Liverpool |
2003 |
Digital Art in Education,speaker on the practice of Digital Art
Art and Design Teachers Conference, East Sussex |
2002 |
Creativity and Embodied Mind in Digital Fine Art,AHRB conference
invited speaker on The Body and the 3 Dimensional Surface, Deluxe Gallery, London |
Publications/Bibliography
2004 |
Electronic Art and Animation Catalogue, ACM SIGGRAPH, SIGGRAPH 04 |
2003 |
DVD Creativity and embodied mind in digital fine art AHRB Seminars |
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CD Deluxe Gallery Portfolio 03 |
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Music for Modern British Art, Tate/COMA |
2002 |
Poetry Review, Vol.92 No 3, Autumn 2002 |
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Shaping Up, Computer Arts Special, issue 29 2002 |
1999 |
: (to), exhibition catalogue, 1999, Colville Place Gallery |
Selected Exhibitions/ Installations
2005 |
International Digital Art Awards (IDAA), Australia, USA, Russia, India, touring show |
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CREAC, UH Gallery, University of Hertfordshire, England |
2004 |
SIGGRAPH, Los Angeles, USA |
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Out of the Blue, UH Gallery, University of Hertfordshire, England |
2003 |
Cocktail II, Deluxe Gallery, London |
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Dorset Digital Arts Festival, Bournemouth, England |
2002 |
Creativity and Embodied Mind in Digital Fine Art, seminar exhibition, Deluxe Gallery, London |
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European Technology Fair 2002, Frankfurt, Germany |
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Cocktail, Deluxe Gallery, London |
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Kunst Frankfurt 2002, Frankfurt, Germany |
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Red Earth Series, Galerie der Gegenwart, Wiesbaden, Germany, solo show |
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Kunst 2002, Zurich, Switzerland |
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Art Innsbruck, 6. Internationale Kunstmesse, Austria |
2001 |
Red Earth Series, Colville Place Gallery, London, solo show |
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European Technology Fair 2001, Frankfurt, Germany |
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Rich Picts 3, Greenham Common Arts, Newbury, England |
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Raw Canvas, Aldwych, London |
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Rich Picts 2, Colville Place Gallery, London |
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Rich Picts 1, Colville Place Gallery, London |
2000 |
European Technology Fair 2000, Frankfurt, Germany |
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Digital Art 2000, Galerie der Gegenwart, Wiesbaden, Germany |
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Art Fair, Hamburg, Germany |
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Art Innsbruck, 5. Internationale Kunstmesse, Austria |
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Digital Expressions, touring exhibition Wales |
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Art for the Millennium, Colville Place Gallery, London |
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Millennium Exhibition, Marks and Spencer Head Office, London |
1999 |
:(to), Colville Place Gallery, London, solo show; www.p-o.co.uk/to |
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European Technology Fair, Frankfurt, Germany |
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The Contemporary Print Fair, Atlantis Gallery, London |
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Fragmentation, PaperPoint Gallery, London |
1998 |
Speakers, sound installation, NWAB Arts Science and
Technology exhibitions, Mid-Pennine Gallery, Lancashire, solo show |
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Vital Art 98, Atlantis Gallery, London Art House, London |
1997 |
Ear as Eye, Los Angeles Contemporary Exhibitions, Los Angeles, USA |
1996 |
Cilntec and Austin Knight, London, corporate exhibitions for Artnet |
1994 |
AAC Exhibition, Connaught Brown Gallery, London |
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Rexel Derwent Drawing Exhibition, Cheltenham and Gloucester CHE |
1993 |
Drawings, The Centre Gallery, Covent Garden, London, solo show |
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Drawings, Tricycle Theatre Gallery, London, solo show |
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The London Connection, Stansell Gallery, Taunton, Somerset |
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AAC Exhibition, Connaught Brown Gallery, London |
1991 |
1st International Artists Plener, Oxford and Sutton Courtenay |
1990 |
New Wapping Art Show, Collectors Gallery, London |
1988 |
Untitled, Installation, Unit 7 Gallery, London, solo show |
1987 |
Instalment, 5 British Artists, Plan K Gallery, part of A British Season, Brussels, Belgium |
1986 |
From the Field, Installation, The Showroom, London, solo show |
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Dialogues, Artists Research Group Haworth Art Gallery, Lancashire |
1984 |
Islanders, Installation, The Showroom, London, solo show |
1983 |
Paintings, Sculpture, Objects, Video, Woodlands Art Gallery, London |
Selected Performances (composer)
2004 |
Wonderful Night (2004), All Ears Contemporary Music Festival, London, 22/9 |
2003 |
phrase transcriptions (2003), Forum Concert, St John's, London, 20/9 |
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Meditation (2001), St John's, London, 19/7 |
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Lure (2003), Royal Academy of Music, London 12/4 |
2002 |
V, Eight lines from Burnt Norton (2002), St Cyprians Church, London. 2/12 |
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Machine Code (2002), Music for Modern British Art, Tate Liverpool, 26/10 |
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Heidelberg/Ulm Meditation (2001), St Cyprians Church, London, 6/6 |
2001 |
Elements (2001), IXION Ensemble concert, Bretton Hall, Yorks, 24/7 |
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Heidelberg/Ulm Meditation (2001), BMIC London, 21/6 |
2000 |
Piano Field; Lontano (2000), Bretton Hall, Yorkshire, 27/7 |
1999 |
for Andrea part 4 (1999), Conway Hall, London, 28/9 |
1998 |
for Andrea parts 1&2 (1997-8), BMIC, London |
1997 |
...but the sound... (1997), State of the Nation, Purcell Room, South Bank Centre, London, 16/2 Brighton Festival, St Johns Church, Brighton |
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Oxford Contemporary Music Festival, Jacqueline Du Pre Music Building, Oxford |
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Tuning no 1, (1997), Keep 5, The Arthouse, London, 1/6 |
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Versus (1997), Bretton Hall, Yorks |
1996 |
Quartet no 3 (1996) Bretton Hall, Yorks, 30/7 |
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Informal Music no 1 (1995) and Terremoto (1996) Morley College 31/5 |
1995 |
Synthetic Music (1994) and Komputations (1995), Holst Room, Morley College, 16/6 |
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Yorkshire Sculpture Park, COMA Ensemble, 12/9, (performer/ composer) |
Concerts/ Broadcasts/ Recordings (performer)
2004 |
Christian Wolff 70th Birthday concert, London, 29/10 |
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Spitalfields Festival, London, 19/6 |
2002 |
Tate/COMA Liverpool concert, Liverpool, 26&27/10 |
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Not-in-our-Name, Union Chapel, London, 14/9 |
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Spitalfields Festival, Christ Church, London, 22/6 |
2001 |
Spitalfields Festival, London, 16/6 |
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State of the Nation, QEH, South Bank Centre, London, M Hayes 22/4 |
2000 |
State of the Nation, QEH, South Bank Centre, London, D Gribbin 15/4 |
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Hoxton New Music Festival, London, Cardew, Norgard |
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Oxford Contemporary Music Festival, Jaqueline Du Pre Music Room, H Skempton |
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CD recording of Plain Harmony, M Finnissy, released on COMA Studio label |
1999 |
State of the Nation, QEH, South Bank Centre, London, P Cashian 11/4 |
1998 |
American Music Festival, Barbican Centre, London, Musicircus John Cage, 24/10 |
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ISCM Festival concerts, Manchester, 1 The Sinking of the Titanic Gavin Bryars;
2 works by Montague, Finnissy, Per Norgard; RNCM Concert Hall |
1997 |
State of the Nation, Purcell Room, South Bank Centre, London, 16/2 |
1996 |
Huddersfield Festival, works by Toovey, Finnissy. 1/12 |
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Brighton Festival fringe concert, 5/6 |
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Spitalfields Festival, 11/6 |
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BMIC, London, Epilogue (the Bell), D Penri-Evans, 18/1 |
1995 |
Huddersfield Festival, COMA concert; works by Riley, Finnissy, 18/11 |
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BBC R3 broadcast: The Great Learning, Cardew, 17/5 |
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CD recording of Symphony for Voices, D Runswick |
1994 |
ICA, London, Scratch Orchestra 25th anniversary concert, LaMonte Young, Christian Wolff |
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Spitalfields Festival, London |
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