Digital Art Museum
 
Gerhard MANTZ    
 

Virtual objects

In my prints I aim to research the field between non-representationalism and recognizable materiality. I design objects and environments that show space and material without the familiar objectivity.

My works develop from computer generated objects. The models are constructed with 3D applications and transformed into two-dimensional views. These images can be printed out on paper with inkjet or be exposed on photographic paper. Unlike photographs of real objects, virtual objects are defined in three dimensions. Every point of an object is defined by its co-ordinates in space, and its specific materials. All parameters can be adjusted, even beyond realistic values.

At this point the computer calculates views from this data. Only these renderings visualise the mathematically defined structure. In cyberspace bodies can intersect each other without mass and weight. Thus constructions are possible on the edge of imagination. Things that are real yet from unknown materiality.

Shiny, reflective bodies gloom behind the surface of the glass-sealed colorprints. Inside they develop fissured caves, deceptive folds. Drifting in an empty space these objects are beyond measure. Symmetrically aligned to their very own center, their structure shows no impact of gravity, no top, no bottom. They resemble spaceship-architectures or micro-camera views. The razor-sharp precision freezes their sensuality to an icy distance, detached from all places, homeless and timeless.

Gerhard Mantz , Berlin 1997

To learn more about the work please download the PDF

More images from this series can be found at www.gerhard-mantz.de

This is an archive of the Digital Art Museum for historical reference.
See dam.org for the current site.

   
 
Das Versäumnis Spiel mit dem Dolch

Das Versäumnis
2000
Colorprint, Diasec
86 x 120 cm

 

Spiel mit dem Dolch
1998
digital

 
Umgekehrte Entwicklung (Reversed Evolution)<   Mein Herz so weiss (My Heart so White)

Umgekehrte Entwicklung
(Reversed Evolution)
1997
digital

 

Mein Herz so weiss
(My Heart so White)
1998
digital

 
Sentimentale Kom�die (Sentimental Farce)   Wohl Klar (Well Evident)

Sentimentale Komödie
(Sentimental Farce)
1996
Colorprint, Diasec
80 x 110 cm

 

Wohl Klar
(Well Evident)
1996
Cibachrome, Plexiglas
110 x 150cm

 
Vergeblicher Protest (Futile Protest)   Blinde Freiheit

Vergeblicher Protest
(Futile Protest)
1997
Cibachrome, Plexiglas
110 x 170 cm

 

Blinde Freiheit
1998
Cibachrome, Plexiglas
120 x 180 cm

 
Lokale Revolte (Local Revolt)   Zügellose Einsicht (Unrestraint Conclusion)

Lokale Revolte
(Local Revolt)
1998
Cibachrome, Plexiglas
120 x 170cm

 

Zügellose Einsicht
(Unrestraint Conclusion)
1998
Cibachrome
Plexiglas
120 x 170 cm

 
Im Reich des Möglichen   Dramatische Entwicklung

Im Reich des Möglichen
1998
Cibachrome, Plexiglas
120
170 cm

 

Dramatische Entwicklung
1999
Cibachrome
125 x 175 cm

 
Die Macht der Umstände   The Sound of Passing Trains

Die Macht der Umstände
2000
Colorprint, Plexiglas
110 x 165 cm

 

The Sound of Passing Trains
2000
Colorprint, Diasec
125 x 210 cm