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Hard Edge Paintings
This work phase (1966-69) introduces geometry and constructibility
into Mohr's work. In a subjective selection process, geometric elements
influenced by electronic and other technical signs are created and distributed
over the entire pictorial surface. They are mobile signs, that means, they are
exchangeable signs. Since all signs (forms) are surrounded by a pictorial force,
they create in their juxtaposition a network of abstract visual tension.
Copyright information
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Bild 16/369 |
Bild 16/469 |
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Bild 3/768 |
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Bild 11/567 |
Bild 12/567 |
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Bild 10/267 |
Bild 16/167 |
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Bild 3/1267 |
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