Mike KING |
This is an archive of the Digital Art Museum for historical reference. |
1988 ICAS - An Integrated Computer Art System', in New Trends in Computer Graphics, Springer Verlag, pp. 643 - 652 1988 "Computer Graphics Chips In", in the proceedings of the London conference, Blenheim Online, pp. 363-369 1989 'Towards an Integrated Computer Art System' in Computers in Art, Design and Animation, Springer Verlag, pp. 41 - 55 1991 'Sculptor - A 3D Computer Sculpting System', Leonardo, Vol 24, No. 4, pp. 383 - 387 1995 'Life and Loves of Zorba the Buddha' in 'Face to Faith' column in the Guardian, 25th February. 1995 'Manipulating Parameters for Algorithmic Image Generation' in proceedings of Digital Creativity conference, Brighton University 1995 'Programmed Graphics in Computer Art and Design', Leonardo Vol 28, No.2, pp. 113-121 1995 'Syntax Channelling and Other Issues affecting Innovation in the Graphical User Interface' in Eurographics '95 conference proceedings as Computer Graphics Forum, Basil Blackwell. 1995 'Artificial Consciousness - Artificial Art' in proceedings of the Sixth International Symposium on Electronic Art, Montreal: ISEA'95, p.137-140 1996 'From Schroedinger's Cat to Krishnamurti's Dog - Mysticism as the First Person Science of Consciousness' in Consciousness Research Abstracts, proceedings of the "Tucson II" conference (Journal of Consciousness Studies) Arizona: University of Arizona, 1996, 1996 'Concerning the Spiritual in Cyberspace', in Roetto, Michael (Ed.), Seventh International Symposium on Electronic Art, Rotterdam: ISEA96 Foundation, 1997. p. 31-36. ISBN: 90-90 10 13 0-6 1997 'Artificial Consciousness - Artificial Art', in Mealing, Stuart (Ed.) Computers and Art, Exeter: Intellect, 1997, p.33-53 1997 Conference Report 'Towards a Science of Consciousness 1996 "Tucson II", in Digital Creativity, Vol. 8, No. 1, April 1997, Exter: Intellect, p. 34 - 35 1997 'Virtual Reality Review', review of Osmose, in Digital Creativity, Vol. 8, No. 2, April 1997, Exter: Intellect, p. 83 - 84 1997 'Virtual Reality: Give Us a Visual Clue' in Proceedings of the First Split Screen Conference, July 1996, Chicester Institute of Higher Education, pp 180-187, 1997 1997 'Screen Grab', article for CGI magazine, Vol.2, issue 9, 1997 1998 'Concerning the Spiritual in 20th C Art and Science' Leonardo, Vol. 31, No.1, pp21-31, 1998 1998 'We are the Consciousness Musicians - Electronic Art, Consciousness, and the Western Intellectual Tradition,' in Consciousness Reframed II conference proceedings, Intellect, 1999 1999 'The Tyranny and Liberation of ThreeSpace - A Journey by Ray Tracer,' in Digital Creativity, Vol. 10, No. 4, 1999, Swets and Zeitlinger, p. 215 - 227. 1999 The New Metaphysics and the Deep Structure of Creativity and Cognition' , in Candy, Linda and Edmonds, Ernest (Eds.), Creativity and Cognition 1999, Proceedings of the 3rd Creativity and Cognition Conference, Loughborough University, New York: ACM Press 1999 'God, Science and Jnani - A New Framework' in Network, the Science and Medical Network Review, December 1999, ISSN 1362 - 1211, p. 15-17, (winner of $3,500 Templeton Award) 2001 Preface for Brown, Richard, BIOTICA, Art, Emergence and Artificial Life, Royal College of Art 2001 'Crossovers - Art, Science and the Spiritual,' in Whitehead, Frederika (Ed.), Crossovers, London: Crossover UK |
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