Digital Art Museum
 
A. Michael NOLL    
 

Publications

 

This is an archive of the Digital Art Museum for historical reference.
See dam.org for the current site.

   

(Sole authored by A. Michael Noll, except as noted)

  • Pl "Short-Time Spectrum and Cepstrum Techniques for Vocal-Pitch Detection," Journal of the Acoustical Society of America, Vol. 36, No. 2, (February 1964), pp. 296-302.
  • P2 "Effects of Head and Air-Leakage Sidetone During Monaural Telephone Speaking," Journal of the Acoustical Society of America, Vol. 36, No. 3, (March 1964), pp. 598-599.
  • P3 "Subjective Effects of Sidetone During Telephone Conversation," Communication and Electronics, IEEE, (May 1964).
  • P4 "Stereographic Projections by Digital Computer," Computers and Automation, Vol. 14, No.5, (May 1965), pp. 32-34.
  • P5 "Computer-Generated Three-Dimensional Movies," Computers and Automation, Vol. 14, No. 11, (November 1965), pp. 20-23.
  • P6 "Human or Machine: A Subjective Comparison of Piet Mondrian's 'Composition with Lines' and a Computer-Generated Picture," The Psychological Record, Vol. 16. No. 1, (January 1966), pp. 1-10.
  • P7 "Choreography and Computers," Dance Magazine, Vol. XXXXI, No. 1, (January 1967), pp. 43-45.
  • P8 "Computers and the Visual Arts," Design Quarterly No. 66/67, (1967), pp. 65-71 (first half of P13).
  • P9 "Cepstrum Pitch Determination," Journal of the Acoustical Society of America, Vol. 41, No. 2, (February 1967), pp. 293-309.
  • P10 "A Computer Technique for Displaying n-Dimensional Hyperobjects," Communications of the ACM, Vol. 10, No. 8, (August 1967), pp. 469-473.
  • P11 "Computerized Pictures," Art and Artists, Vol. 2, No. 6, (September 1967), pp. 12-15 (invited reprint of P8).
  • P12 "The Digital Computer as a Creative Medium," IEEE Spectrum, Vol. 4, No. 10, (October 1967), pp. 89-95.
  • P13 "Computers and the Visual Arts," Design and Planning 2: Computers in Design and Communication (Edited by Martin Krampen and Peter Seitz), Hastings House, Publishers, Inc.: New York (1967), pp. 65-79.
  • P14 "Computer Graphics in Acoustics Research," IEEE Transactions on Audio and Electroacoustics, Vol. AU-16, No. 2, (June 1968), pp. 213-220).
  • P15 "Clipstrum Pitch Determination," Journal of the Acoustical Society of America, Vol. 44, No. 6, (December 1968), pp. 1585-1591.
  • P16 "Computer Animation and the Fourth Dimension," AFIPS Conference Proceedings, Vol. 33, 1968 Fall Joint Computer Conference, Thompson Book Company: Washington, D.C. (1968), pp. 1279-1283.
  • P17 "The Digital Computer as a Creative Medium/Digitalni kompjuter kao kreativno sredstvo," Bit International, Published by Galerije grada Zagreba, Yugoslavia) No. 2 (1968), pp. 51-62 (invited reprint of P12).
  • P18 "Human or Machine: A Subjective Comparison of Piet Mondrian's 'Composition with Lines' and a Computer Generated Picture," Psychology and the Visual Arts, Edited by James Hogg, Penguin Books: London (1969), pp. 302-314 (invited reprint of P6).
  • P19 "The Intelligibility of Shouted Speech," (with D.J. MacLean), Proceedings of the Symposium on the Aeromedical Aspects of Radio Communication and Flight Safety, AGARD/NATO Advisory Report 19, pp. 10-1 to 10-13, December 1969 (London).
  • P20 "A New Approach to Computer-Generated Holography," (with M. C. King and D. H. Berry), Applied Optics, Vol. 9, No. 2, (February 1970), pp. 471-475.
  • P21 "Pitch Determination of Human Speech by the Harmonic Product Spectrum, the Harmonic Sum Spectrum and a Maximum Likelihood Estimate," Proceedings of the Symposium on Computer Processing in Communications, Vol. XIX, Polytechnic Press: Brooklyn, New York, (1970), pp. 779-797.
  • P22 "Whither Speech Production," Journal of the Acoustical Society of America, Vol. 47, No. 6 (Part 2), (June 1970), pp. 1614-1616.
  • P23 "Art Ex Machina," IEEE Student Journal, Vol. 8, No. 4, (September 1970), pp. 10-14.
  • P24 "The Digital Computer as a Creative Medium," Perspectives on the Computer Revolution, Edited by Zenon W. Pylyshyn, Prentice-Hall: Englewood Cliffs, N.J. (1970), pp. 349-358 (invited reprint of P12).
  • P25 "Computer-Aided Design Systems," Emerging Methods in Environmental Design and Planning, Edited by Gary T. Moore, MIT Press: Cambridge, Mass. (1970), pp. 115-117.
  • P26 "Guassian-Quadratic," 1971 IEEE International Convention Digest, pp. 44-45.
  • P27 "Scanned-Display Computer Graphics," Communications of the ACM, Vol. 14, No. 3, (March 1971), pp. 145-150.
  • P28 "Animation in a Four Dimensional Space," Filmmakers Newsletter, Vol. 4, No. 5, (March 1971), pp. 29-32.
  • P29 "The Digital Computer as a Creative Medium," Cybernetics Art and Ideas, Edited by Jasia Reichardt, Studio Vista Limited: London (1971), pp. 143-164 (invited reprint of P12).
  • P30 "Subjective Assessment of the Speech Communication Papers Presented at the 80th Meeting of the Acoustical Society of America," Journal of the Acoustical Society of America, Vol. 50, No. 4 (Part 1), (October 1971), pp. 1081-1084.
  • P31 "The Pendula of Science and Technology," The Bridge of Eta Kappa Nu, (February 1972), p. 17.
  • P32 "Computing Power," Papers Prepared for the Special Workshop on Engineering Software Coordination, Compiled by Robert L. Schiffman, University of Colorado (April 1972), pp. 14-17
  • P33 "The Cepstrum and Some Close Relatives," NATO Advanced Study Institute on Signal Processing, University of Technology: Loughborough, U.K. (1972), pp. I-2.1 to I-2.12.
  • P34 "Man-Machine Tactile Communication," SID Journal (The Official Journal of the Society for Information Display), Vol. 1, No. 2, (July/August 1972), pp. 5-11.
  • P35 "The Effects of Artistic Training on Aesthetic Preferences for Pseudo-Random Computer-Generated Patterns," The Psychological Record, Vol. 22, No. 4, (Fall 1972), pp 449-462.
  • P36 "Real-Time Interactive Stereoscopy," SID Journal (The Official Journal of the Society for Information Display), Vol. 1, No. 3, (September/October 1972), pp. 14-22.
  • P37 "The Interactions of Computers and Privacy," Honeywell Computer Journal, Vol. 7, No. 3, (Fall 1973), pp. 163-172.
  • P38 "Some Advice on Science Advice," The National Science Policy and Organization Act of 1975, Hearings Before the Committee on Science and Technology, U.S. House of Representatives, 94th Congress, 1st Session, on H.R. 4461 and H.R. 7830, U.S. Government Printing Office: Washington, D.C. (1975), pp. 650-684.
  • P39 "Teleportation Through Communication," IEEE Transactions on Systems, Man and Cybernetics Vol. SMC-6, No. 11, (November 1976), pp. 753-756.
  • P40 "Teleconferencing Communications Activities," Communications Society, Vol. 14, No. 6 (November 1976), pp. 8-14.
  • P41 "The effects of visible eye and head turn on the perception of being looked at," American Journal of Psychology, Vol. 89, No. 4 (December 1976), pp. 631-644.
  • P42 "Human or Machine? Aesthetic Preferences for Pseudo-Random Computer-Generated Patterns," Creative Computing, Vol. 3, No. 6 (November-December 1977), pp. 96-102 (abridgement of P6 and P35).
  • P43 "A Marketing Approach to Science Policy," Letter to the Editor, Physics Today, Vol. 31, No. 2 (February 1978), pp. 9-13.
  • P44 "The Effects of Communications Medium on the Fundamental Frequency of Speech," Communications Quarterly, Vol. 26, No. 2 (Spring 1978), pp. 51-56.
  • P45 "Man-Machine Tactile Communication," Creative Computing, Vol. 4, No. 4 (July-August 1978), pp. 52-57 (invited reprint of P34).
  • P46 "The Use of Picturephone Service in a Hospital," (with James P. Woods, Jr.), Telecommunications Policy, Vol. 3, No. 1 (March 1979), pp. 29-36.
  • P47 "Cepstrum Pitch Determination," Speech Analysis, Edited by Ronald W. Schafer and John D. Markel, IEEE Press: New York (1979), pp. 179-195 (invited reprint of P9).
  • P48 "Teletext and Videotex in North America: Service and System Implications," Telecommunications Policy, Vol. 4, No. 1 (March 1980), pp. 17-24.
  • P49 "Natural Language Interaction With Machines: A Passing Fad? Or the Way of the Future?," Proceedings of the 18th Annual Meeting of the Association for Computational Linguistics, (June 1980), p. 137.
  • P50 "Computers and the Visual Arts: A Retrospective View," Catalog of the SIGGRAPH '82 Art Show, (July 1982).
  • P51 "A Bell System View of Videotex," (with Dennis J. Sullivan, Jr.), Telecommunications Policy, Vol. 6, No. 3 (September 1982), pp. 237-241.
  • P52 "Mechanisms and Conduits of Information Flow: Options and the Need to Make Choices," Information and Technology Exchange Among Engineering Research Centers and Industry: Report of a Workshop, National Academy Press (June 1985), pp. 37-46.
  • P53 "Videotex: Anatomy of a Failure," Information & Management, Vol. 9, No. 2 (September 1985), pp. 99-109.
  • P54 "Teleconferencing Target Market," Information Management Review, Vol. 2, No. 2 (Fall 1986), pp. 65-73.
  • P55 "Bell System R&D Activities," Telecommunications Policy, Vol. 11, No. 2 (June 1987), pp. 161-178.
  • P56 "The Effects of Divestiture on Telecommunications Research," Journal of Communication, Vol. 37, No. 1 (Winter 1987), pp. 73-80.
  • P57 "The Digital Computer as a Creative Medium," Media USA, Edited by Arthur Asa Berger, Longman, Inc.: White Plains, New York (1988), pp. 545-553 (invited reprint of P12).
  • P58 "The Broadbandwagon," Telecommunications Policy, Vol. 13, No. 3 (September 1989), pp. 197-201.
  • P59 "Telecommunications in the United States," (with Everett Rogers), Chapter 10 in Telecom 2001: A Strategic Forecast, Thomas L. McPhail & Brenda M. McPhail, McPhail Research Group: St. Louis, Missouri (1990), pp. 155-166.
  • P60 "High Definition Television (HDTV)," Chapter 57 in Media USA (Second Edition), Arthur Asa Berger (Editor), Longman: New York (1991), pp. 431-438.
  • P61 "The Future of AT&T Bell Labs and Telecommunications Research," Telecommunications Policy, Vol. 15, No. 2 (April 1991), pp. 101-105.
  • P62 "Withdrawal Effects of Metoclopramide," (with Drew Pinsky), The Western Journal of Medicine, Vol. 154, No. 6 (June 1991), pp. 726-726.
  • P63 "Voice vs. Data: An Estimate of Future Broadband Traffic," IEEE Communications Magazine, Vol. 29, No. 6 (June 1991), pp. 22, 24-25, & 78.
  • P64 "Anatomy of a Failure: Picturephone Revisited," Telecommunications Policy, Vol. 16, No. 4 (May/June 1992), pp. 307-316.
  • P65 "An Inquiry Into the Privacy Aspects of Caller-ID," Telecommunications Policy, Vol. 16, No. 8 (November 1992), pp. 690-693.
  • P66 "telephone," entry in Academic American Encyclopedia, Grolier: Danbury, CT (1995), pp. 79-80.
  • P67 "The Beginnings of Computer Art in the United States: A Memoir," Leonardo, Vol. 27, No. 1, (1994), pp. 39-44.
  • P68 "A Study of Long-Distance Rates: Divestiture Revisited," Telecommunications Policy, Vol. 18, No. 5 (1994), pp. 355-362.
  • P69 "The Beginnings of Computer Art in the United States: A Memoir," Computers & Graphics, Vol.19, No.4 (1995), pp.495-503 (invited reprint of P66).
  • P70 "The Extraterrestrials Are Coming," Telecommunications Policy, Vol. 20, No. 2 (March 1996), pp. 79-82.
  • P71 "CyberNetwork Technology: Issues and Uncertainties," Communications of the ACM, Vol. 39, No. 12 (December 1996), pp. 27-31.
  • P72 "Network Security and Reliability: Emergencies in Decentralized Networks," in E. Noam & A. NiShuilleabhain (Eds.), Private Networks and Public Objectives, Elsevier Science B. V. (Amsterdam, The Netherlands), 1996, pp. 343-356.
  • P73 "POTS: Plain Old Telephone Service," in Jerry D. Gibson & Elaine Gibson (Eds.), The Communications Handbook, CRC Press, Inc. (Boca Raton, FL), 1997, pp. 291-300.
  • P74 "A Study of Long-Distance Rates: Divestiture Revisited," in E. Noam & A. J. Wolfson (Eds.), Globalism and Localism in Telecommunications, Elsevier Science B. V. (Amsterdam, The Netherlands), 1997, pp. 63-73 (reprint of P68).
  • P75 "Internet Pricing Vs. Reality," Communications of the ACM, Vol. 40, No. 8 (August 1997), pp. 118-121.
  • P76 "The Costs of Competition: FCC Telecommunication Orders of 1997," Telecommunications Policy, Vol. 22, No. 1 (February 1998), pp. 47-56.
  • P77 "The Digital Mystique: A Review of Digital Technology and its Application to Television, Prometheus, Vol. 16, No. 2 (1998), pp. 145-153.
  • P78 "Scanned Display of Computer Graphics," in Seminal Graphics (Ed: Rosalee Wolfe), ACM SIGGRAPH, 1998, pp. 303-310 (invited reprint of P27).
  • P79 "The Digital Mystique: A Review of Digital Technology and its Application to Television," in Darcy Gerbarg (Ed.), The Economics, Technology and Content of Digital TV, Kluwer Academic Publishers (Boston), 1999, pp. 61-72 (invited reprint of P77).
  • P80 "The Evolution of Television Technology," in Darcy Gerbarg (Ed.), The Economics, Technology and Content of Digital TV, Kluwer Academic Publishers (Boston), 1999, pp. 3-17.
  • P81 "Telecommunication Competition: Much Ado About Nothing?", info, Vol. 1, No. 2 (April 1999), pp. 117-120.
  • P82 "The Future of Communication: An Essay for the Year 2000," foresight, Vol. 1, No. 2 (May 1999), pp. 165-172.
  • P83 "Does Data Traffic Exceed Voice Traffic?", Communications of the ACM, Vol., 42 No. 6 (June 1999), pp. 121-124.
  • P84 "Communications," Milestones of the 20th Century, Grolier (Danbury, CT), 1999, pp. 246-249.
  • P85 "The Impending Death of Over-the-Air Television, info, Vol. 1, No. 5 (October 1999), pp. 389-391.
  • P86 "Telecommunication Privatization: Mixed Progress," info, Vol. 2, No. 1 (February 2000), pp. 21-23.
  • P87 "Technology and the Future of the University: A Sober View," Information Communication & Society, Vol. 3, No. 4 (2000), pp. 645-647.
  • P88 "Internet TV: Definition and Prospects," to be published.
  • P89 "TV Over The Internet: Technological Challenges," to be published.